AreaAudit

Which languages each generator says it supports, and where

Reading speed: the limit a subtitle cannot argue with

Reading speed is how much text a viewer can take in per second. Distributors publish limits for it, the limits differ by language and by audience age, and in a vertical frame the line width usually runs out before the reading limit does. As of 2026-09-22.

Two limits on a subtitle, and which one binds in a vertical frameCharacters per second is set by distributor guidelines and differs by language and by audience age. Characters per line is set by the width of the safe area. In a vertical frame the line limit usually runs out first, so the sentence has to be cut.Characters per secondCharacters per lineSet byDistributor guidelinesThe width of the safe areaVaries withLanguage and audience ageFrame shapeBinds first in a vertical frameUsually notUsually yesFixCut the sentenceCut the sentenceBoth limits are set outside the tool
Fig. 1 Two lines is the working maximum in a vertical frame, and a third line covers the part of the picture the shot was built around.
Two limits on a subtitle, and which one binds first. Recorded 2026-09-22.
LimitSet byBinds first in a vertical frame
Characters per secondDistributor guidelines, by language and audienceUsually not
Characters per lineThe width of the safe areaUsually yes
Lines per subtitleComposition, not readabilityTwo is the working maximum
Minimum durationDistributor guidelinesRarely

Inclusion rule. The published limits that constrain a subtitle. All are set outside the tool, by platforms and by the shape of the frame. Order. Fixed order, the readability limit first.

1The limit is published, and it is not a preference

Characters per line and characters per second appear in distributor specifications, and the figures for younger audiences are meaningfully lower. A subtitle that fits the frame can still exceed the reading limit.

So a translation has to be cut rather than compressed. That is a translation decision taken under a constraint the translator did not set, and it is why subtitles are shorter than the dialogue they carry.

2A narrow frame changes which limit matters

In a vertical frame the safe area for text is narrow, so two lines is the working maximum and three is a different layout rather than a compromise: it covers the part of the picture the shot was built around.

Cutting the sentence is cheaper than moving the subtitle. That is the practical ordering, and it means the frame shape constrains the language work in short vertical video more than the reading limit does.

3Nothing about it appears in a language list

No vendor read for this register publishes reading-speed handling, line limits or what it does when a translated line will not fit. A language count cannot express any of it.

It is recorded here as a term rather than as a column, because a column with no vendor entries would be a question pretending to be a measurement. The constraint is real whether or not anybody documents it.

A definition, not a measurement: no vendor figure appears here that is not also in the register. The register keeps subtitle constraints out of the voice column entirely.

Nearby terms: Text inside the frame, Text expansion. The whole vocabulary is at terms; nothing on this page is a claim about a named product.